He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” Joan watched her as gradually she shaped herself out of the shadows: the poor, thin, fretful lady of the ever restless hands, with her bursts of jealous passion, her long moods of sullen indifference: all her music turned to waste.!

And she had promised him. He needed her. The words she had spoken to Madge, not dreaming then of their swift application. They came back to her. “God has called me. He girded His sword upon me.” What right had she to leave it rusting in its scabbard, turning aside from the pathway pointed out to her because of one weak, useless life, crouching in her way. It was not as if she were being asked to do evil herself that good might come. The decision had been taken out of her hands. All she had to do was to remain quiescent, not interfering, awaiting her orders. Her business was with her own part, not with another’s. To be willing to sacrifice oneself: that was at the root of all service. Sometimes it was one’s own duty, sometimes that of another. Must one never go forward because another steps out of one’s way, voluntarily? Besides, she might have been mistaken. That picture, ever before her, of the woman pausing with the brush above her tongue—that little stilled gasp! It may have been but a phantasm, born of her own fevered imagination. She clung to that, desperately. “You didn’t give me that impression,” answered Joan.

“Yes, but it needn’t be you,” suggested Miss Ensor. “No,” said Joan. “I don’t think I’ve got what you call the artistic temperament. I have never felt drawn towards anything of that sort.” He laughed. “And this new journal of his?” he asked. “It’s got to be published in London, hasn’t it?”